History of New Tarajan
- Part I:
- Part IThe beginning: - 0 J.E.
The Port of Arzimakil of Muraz, reconstructed at the Royal Tarajan Historical Museum of Astana, is one of the most famous monuments of the Shramanid Empire.
The lands of the actual Kingdom knew a form of unified government since the very dawn of history.
The first trace of a civilization in Tarajan is the so-called Paragaal Culture, a prehistoric culture principally known through its conic monuments (archaeologists are still divided if to consider them as temples/places for the community or graves; probably, they were used for both functions). Then, around the third millenium before Jahan (B.J.), the Plain of Kashair, at the time the most fertile and rich area of Tarajan, saw the birth of the first, true civilization: the Murazians, from the name of their principle city, Muraz (they're, however, better known, especially in New Tarajan, as Shramanids, as we will see below).
This civilization introduced a writing (ideographic) system, and produced some of the most beautiful artifacts and monuments of the Tarajani history (the ruins of Muraz, the ziqqurat of Bakran, and the Shraman Tomb are all examples). Also, they were the first to unify (at least, under a same culture, if not under a same government) the land of Tarajan from the Azarsheen Mountains (the great chain dividing New Tarajan and Antanares) and the Shalimar River at the south. The political structure of what is known as Shramanid Empire is still to be fully understood by scholars, but at the actual stage of play the most reknown theory is that the Empire was not a fully unified body, but a sort of confederation of small principalities, with a (often symbolic) head in the prince of the city of Muraz, known also as Emperor. The centrality of Muraz, as main and also holy city for the Shramanids is unquestionable any way.
For around three millennia the Murazian civilization dominated Tarajan, starting also contacts with many other cultures around it. However, civil strife and wars continuously weakened the Empire, eventually giving the opportunity for its fall.
And, indeed, this event (recorded by the few documents survived as one of the most catastrophic imaginable) came, from the hands of a semi-nomadic people from the north-east, the Ajans.
The real steps of the invasions are not known: the only, complete, tale of it is the Song of Jahan, an epic and lyric poem composed during the last centuries of the Ajanic civilization.
Remnants of the Murazian civilization will keep to stand only in Alleskandberg and in the Seven Rivers Region (still today, that area keeps its cultural distinctiveness).
Note: The Song of Jahan
Jahan and Shraman in Muraz, picture from one of the first copies of the Song of Jahan, Nuyern, 1427 a.J.
The Song was composed around the 1425 J.E. (during a time the Ajans defined as Waning Era), by Tariz Qin Firuz, historian, philosopher, architect, poet and scholar at the time of Anoushiravan IV Jahan Shah (1385-1424) and his son, Kalihaan Jahan Shah (1424-1446), and one of the most famous representatives of the Ajanic culture ever. His main goal was to collect all the stories circulating at the time about the beginning of the Ajanic history, thus "discovering" and systematizing the mythic history of the period, while at the same time founding a mythological (thus, almost religious) ground for his ideal (in reality, an ideal always present in the Ajanic culture) of the Ajans as the perfect mixture of War (instinct) and Art ("the understanding of beauty", as defined by an anonymous poet two centuries before Qin Firuz). The result is one of the most beautiful poems ever composed, and a piece of invaluable importance for the study of the Ajanic history (obviously, with all the necessary caution, due the nature of the document).
The Song begins with the tale of how Kilijali, the Ajanic god of war, unified all the Ajanic tribes, giving them also the powerful Ajan (the characteristic spear of that people, so important that it will become their own name later) to defeat the giants which inhabited their land. After this victory, Kilijali decided to invade the rich and prosperous Kashair, ignoring the warnings of an old man he met during the march to south. At the end, he was defeated by Arzimakil, emperor-god and protector of Muraz. Finding refuge on Mount Grishna (one of the most high peaks of the Azarsheen Chain), he then met Yaligham, the beautiful goddess of arts and music, who seduced him, "civilizing" the barbaric warrior. Their union gave birth to Jahan who, loosing his true identity, reached Muraz, where, thanks to his courage, ability in war (the legacy of his father) and the beauty, his artistic capabilities (legacy of the mother) he became the lover of Shraman, beautiful daughter of Arzimakil himself. Then, during a duel, Arzimakil recognized in the impetus of the young boy the heritage of the blood of his ancient enemy Kilijali, and decided to ban him from Muraz once and for all, ignoring the protests of Shraman.
Jahan accepted the exile, deciding to prove to Arzimakil that he's not the heir of such a bloody god like Kilijali himself. He went to the north, then meeting the Ajans. When he reached them, a mysterious knight suddenly appeared, challenging all the warriors to duel. Nobody could defeat him, but Jahan, conscious of his heritage as son of the gods of Ajans, feeling as an humiliation those defeats, decided to challenge the knight himself, and ultimately defeated him, who then revealed to be Kilijali himself. From that day to come, the Ajans welcomed Jahan as their King. Deciding to clean the humiliation suffered long ago by the Ajans from Arzimakil, he united once again the tribes, and marched against Kashair, forgetting about Shraman and his love.
The night before the final battle, Shraman herself reached him, but, blind for wrath, he didn't recognize her, and he rudely sent her away. Then, he fought against Arzimakil himself, defeating and killing him. The entire Murazian army was annihilated, Muraz destroyed, and Kashair sacked, becoming a desert without life. Shraman fled away (to the Shraman Isles, or maybe more far, to the actual Meisjegronden), and Jahan, finally recovering from the blindness of the wrath, understood what he had done. With his heart broken by his own action, he founded Astana ("capital"), teaching to the Ajans the arts of his mother instead of the sole, barbaric costumes of his father; then, after this civilizational work ended, he fled away, searching for his lover. And some people still believe to see him all around Tarajan, screaming and crying desperately for Shraman.The Ajanic Empire (Empire of the Padishah): 0 - 487 J.E.
The foundation of Astana symbolically marked the beginning of history (the year zero of the Jahan Era). After Kashair became a desert (still at our times it did not recover), the Ajans mainly transferred themselves to the east region (the Horat Region), where Astana itself was founded, and to the south. Led by their emperors (the Padishah), direct descendants of Jahan, they conquered one by one all the remnants of the Murazian principalities, establishing an empire which extended its borders to all the contemporary Kingdom of New Tarajan, the Sdudeti-Karabak, the actual continental territory of Shirouma, and North Ajania, at the north, and to the coasts of the Atletius Sea at south.
This age was a time of renaissance for every arts: the Ajans created their own architecture style (which is still a characteristic of New Tarajan); they left their mark everywhere, shaping the true identity of the land they conquered, eventually giving to it also their name (Tarajan means, literally "Land of the Ajans")
While the first four-five Emperors are known only through few documents, and are still surrounded by a mythological aura, we can reconstruct approximately the line of emperors (always belonging, by same way or another, to the House of Jahan) of Tarajan. The most famous ones are without doubts Anoushiravan I and II (334-342 and 345-360, respectively), and Ardashir III (434-478).
Anoushiravan I is particularly known for his military conquests: inheriting the throne during a period of civil strife, he personally led the imperial army against the principalities in North Ajania, which had proclaimed themselves independent, and after a five years campaign he completely subjugated them, eventually extending the influence of the Empire even on the northern part of contemporary Antanares (but scholars are still debating about this); the main reason he's so well known is that he founded Shahrazad (capital city of North Ajania), building a summer palace, where he wished to represent all the history of the Empire till his days. He was also a legislator, promoting one of the most complete code of laws the Ajans left to us.
His son Anoushiravan II became Emperor after a three-years regency by his corrupted mother, Azar (who someone accuse of having poisoned the husband), ended by a plot inside the court itself. Obtaining the crown at the young age of fifteen, he was mainly a constructor (he builded the Palace of the Padishah in Astana, which became the masterpiece, and yardstick of all the future Ajanic architecture), but didn't lack also military qualities, suppressing a revolt organized by his own mother with the support of some princes of the south (350-352).
He updated the code of law commissioned by his father, and promoted arts and culture in every form. During his reign the famous philosopher Abbas was welcomed at court. But, more important, he was the first Emperor to institutionalize the office of Wizard (an approximate translation from an Ajanic word which means, literally "one who knows the Truth"): members of an ancient order of scholars, organized in an independent community based on the semi-legendary island of Takara, known for superior knowledge and technical capabilities, who assisted the Padishah and the princes with every mean.
During the subsequent period, taking the opportunity offered by the continuous fights between the central power and the princes (mainly in the south) the Wizards became the real power behind the throne in many occasions, and soon they began to become princes themselves.
Ardashir III Jahan Shah was the second-last Padishah of the Empire. He rebuilded the Palace of Astana (destroyed during a fire which broke out during an attempted coup): many of its parts still survive today. He had to manage the first series of clashes between the now too-powerful Wizards: particularly, two factions began to organize in Takara in the last years of his reign. The reason of the rivalry is not well known, since it has been obscured by the representation of one of the most important mythos in the Tarajani culture.
What is known is that the rivalry escalated at the end in a full-scale conflict under the son ofArdashir III, Tumir IV (478-487), the last Padishah.
The rival armies of two Wizards, Fed'on and Uyil, started to fight in the south, literally devastating the empire.
The Padishah decided to intervene in order to finally restore peace, but in the catastrophic Battle of Bakran (487), he was killed, together with most part of the imperial army, and with Fed'on and Uyil themselves. Suddenly, the Empire crashed under the invasions of barbaric populations coming from east and from the south, while the remnants of the imperial army was divided between different warlords who began to fight for supremacy. Astana itself was sacked few years later (490). It was the beginning of the Waning Era.
Statue of the Emperor-philosopher Humyat Jahan Shah (401-423), in Humyat Square, Himeraa. Follower of the philosopher Abbas, Humyat founded many schools and universities in the Empire ; he devoted himself completely to culture, allowing the resurgence of internal fights between princes, until he was finally killed by a guardsman.
Note: the Myth of Shalimar
Together with the mythos surrounding Jahan, the pillar of Ajanic mythology and religion is without doubts the Myth of Shalimar. The Myth tells how Fed'or and Ulyil, once best friend, became rivals for the love of Shalimar, the most beautiful creature, and one of the women Wizards. They started to fight, bringing with them the entire order.
When Emperor Tumir decided to find a solution to the problem in Bakran, Shalimar herself tried to collaborate, calling at a meeting both rivals. But, when they saw Shalimar in the tent of the Padishah, they felt betrayed, believing she was falling in love with the sovereign, and they began to fight each other, until the entire imperial army was destroyed, and the emperor killed, thanks to their magical powers. In order to stop the war once and for all, they tried a last powerful attack against each other. But the energy they released could have destroyed the entire world, thus Shalimar decided to put herself in the middle, absorbing all the energy. However, it was so powerful that a wave of energy destroyed the armies of both Fed'or and Uyil, killing also the two Wizards, and ultimately destroying Takara. The scar left, became the Shalimar River, while all the energy absorbed, and the spirit of Shalimar itself, was forever imprisoned in a stone, the Stone of Shalimar.
Soon, this tale became the core of a true religious cult, the Church of Shalimar, which grew in power during the centuries, almost causing a civil war during the reign of Kalihaan Jahan Shah.The Waning Era: 487-1505
The period lasting from the Battle of Bakran to the creation of the Grand Duchy of Bakran (1505) was called by the Ajans the Waning Era, and the scholars decided to keep this definition.
The first centuries of this age are obscures: the fall of the Empire had terrible consequences, with the end of a central, organized power, thus leaving behind only few documents. However, it's not like for the fall of the Shramanid civilization, and we can reconstruct the main events of the period with a good grade of approximation.
From 487 to 790 about, the land of Tarajan was devastated by a series of external invasions and the strife between warlords.
After the first sack of 490, Astana was conquered many times, by many ambitious warlords who tried to restore the previous glory, as symbol of the ancient power of the Padishah. But all those dominations provided to be ephemeral, together with many dominions created during this time. Worth of mention is the dominion created by Arezu Bahadur Badak (555-592): born in a poor family of Nuyern, he became a soldier, and then a commander, thank to his innate abilities. After the death of the local bey, he created a vast kingdom, which,for the first time since the Empire, unified most part of the south of the country. He also fought many battles against the barbaric populations who lived on High Shalimar (the eastern part of the river).
He died during one of these battles, and his empire suddenly disintegrated.
Meanwhile, in Astana the Jahanid Dynasty was formally restored by Javed Jahan Shah (790-834). A descendant of Tumir IV, he claimed the heritage of the ancient Empire after defeating in battle the army of his rival, tarkhan Rashid Jalaawi, not far from Astana itself. Thus, Astana became the core of a new political entity, the Tarajan Shahdom, which claimed to be the only, true successor of the Ajanic Empire.
However, the first decades were not easy for the new kingdom: Javed himself fell assassinated in 834, and for thirteen years the throne was contended by his sons. In 847, Mehrdad, nephew of Jamshid, the third son of Javed, took the power, restoring the order in the kingdom, and even conducting a brief, successful military campaign on the east side of Horat Lake (the region will be soon known as Tarkhanate, since there all the tarkhans of the Shahdom will have their own residences and fiefs, following an imperial tradition), subjugating all the small principalities of the area. However, he was killed on the way back to Astana by his wife Laleh only five years after he obtained the crown (852).
At his death, the shahdom saw the quick rise and consequent death of at least ten shahs (852-876). The situation was finally stabilized with Javed III (876-900), who restored the order in the entire shahdom.
The reign of Javed III is known for the partial reconstruction and enlargement of the Palace of Astana, and for a military expedition he led against the south of North Ajania (definitely lost already after the death of Ardashir III). His son Javed IV (901-915) conquered the contemporary Sdudeti-Karabak and Kashair too.
But it's only forty years later, with the reign of Ardashir IV (957-980) that the Shahs will feel themselves finally ready for their first campaigns to the south.
Here, the fall of the empire founded by Badak paved the way for the birth of few States, the so-called Beyliks. The most important of them were Nuyern (direct successor of the Badakian Empire, ruled since then by the Rumi Dynasty, one of the most ancient and important Tarajani families till today), Kusraw (ruled by the Darya family), and Aken, the modern Aaken (ruled by the Hedayats). Alongside these States, the High Shalimar was still in the hands of barbaric tribes which often sacked the lands around them, while Alleskan (the modern Alleskandberg), while formally governed by a beylik, assumed more the shape of a mercantile city.
The first military expedition to the south led by Ardashir IV lasted for three years (960-963) and allowed the Shah to create the ground for all the future campaigns, defeating the allied armies of Alleskan and Nuyern, and accepting the submission of the former.
Esmail Jahan Shah (967-983), followed his steps, defeating once again Nuyern and conquering the city (970). However, he understood the impossibility to keep full control over it, and restored Dara III Rumi on the throne, as vassal, thus beginning a policy which his successors will continue in the future.
Esmail II (983-990) led the armies of Tarajan against Kusraw, which voluntarily submitted (985), and, two years later (987) against Aken. He died in battle against the army of the bey Daryush II Hedayat. However, the same bey was lately defeated and imprisoned by Ardashir V (990-1050), the most long-lived sovereign in Ajanic history, in 1093. Daryush was then taken to Astana, where he was finally executed, one year later.
The School of Firuz, in the Ajan Citadel of Astana. A masterpiece of the late Ajanic architecture, it was builded under project of Tariz Qin Firuz himself in the first years of the XV century of the Jahan Era.
The final blow to the independence of the beyliks came in the 1114, when Sarmath Jahan Shah conquered Aken after a revolt had expelled Daryush IV Hedayat (vassal of the Shah) and elected his cousin, Mahmoud, as new bey. However, once again, after the suppression of the revolt, Sarmath restored Daryush IV.
The Shahs never attempted to fully integrate the beyliks, since their power was sensibly lower than the ancient Empire. Moreover, south of the Shalimar River, many sultanates and beyliks still lived in full independence.
The Shahdom also had to face a dangerous invasion from the Sinaic kingdom (from the VIII to the XIII century the most powerful kingdom on the west of Antanares), which lasted for twenty years (1230-1250); the Sinaics were finally defeated by Mahmoud Jahan Shah (1248-1257).
The Tarajan Shahdom saw its most prosperous period from the XII to the XIV century: during this time, the arts and culture saw their most classical development, producing jems which last until our days.
The most important Shah of the late Ajanic history was Kalihaan Jahan Shah (1424-1446). He concluded the campaign against the tribes of the High Shalimar during which his father found the death, before coming back to Astana (1426). The beginning of his reign saw the explosion of the Alleskan Uprising (1426): cultists of the Church of Shalimar killed the governor of Alleskan, causing a civil unrest which was put to an end only with the arrival in the city of Hedyat Dilaver Taher, right-hand of the Shah. However, the unrest reached Astana itself, with an attempted assassination of Kalihaan himself. The entire strife ended when Kalihaan allowed the cultists to freely worship Shalimar (later she would be recognized as one of the Seven Gods of the Ajanic religion). While giving to the Shahdom the maximum of its power, Kalihaan also reformed the legislation, promoted culture and philosophy; he also commissioned the construction of the Kalihaan Temple of the Seven Gods, the most important example of Ajanic religious architecture, and restored, for the last time, the Palace of the Padishah.
Kalihaan is without doubts the Ajanic sovereign who saw the most number of myths on this figure. His love for Mahavash Alaleh Ziyar, who later became his wife, will soon become a legend, and a paradigm for any future romantic story.
After a long and prosperous reign he died in 1446, leaving to his successors a strong kingdom.
But the end was near. It came through christian knights coming from the South. Having fought in the long-lasting period of war devastating Antanares during the XIV and XV centuries, many knights and warriors found themselves suddenly without any opportunity to continue with their military carreers in a contest of renewed stability for Antanares. The result, was that they looked forward for a prey to take over.
The first wave was led by Gustav Van Der Grudeln (1449-1507) and Sigismund I Van Vinkel (1465-1520). They rapidly established their stronghold in Alleskan (lost by the shahdom after a revolt organized by extremist cultists of Shalimar once again), reaching it by sea and keeping it under control, nominally as vassals of the Shah (at the time, the throne was occupied by Kalihaan III, a child of twelve). However, the affluence of many other knights and adventurers soon led the Antanaresians to occupy and destroy Kusraw, while founding a new stronghold near the ruins of the ancient Bakran, creating the Grand Duchy of Bakran. The birth of the first, officially independent (thus, finally leaving behind the mark of the formal submission to the Shah) Antanaresian fiefdom in Tarajan conventionally marks the end of the Waning Era.
Note: the stories around Kalihaan
The main myth about Kalihaan concerns his first years of reign. The tale tels about the secret love for Kalihaan of Mahvash, daughter of Arash (vizir of Kalihaan) and childhood friend of the Shah himself, commander of the guards and expert musician (she played the arezoo, a characteristic Ajanic flute). Kalihaan was cursed by a medallion he found near the ruins of Bakran, containing the memories of a young girl, follower of Shalimar, during the last moments of her life before the final annihilation. Kalihaan became so obsessed by this memory, that he literally fell in love with the mysterious girl, ignoring the sentiments of Mahavash.
The situation changed with the arrival of a mysterious and strange group of adventurers, which firstly tried to resolve the problems in Alleskan. When they failed (partly), Hedyat Taher took them in Astana, where they met Kalihaan. But an obscure creature, sent by evil cultists, tried to kill him. Only the noble sacrifice of Mahvash allowed him to survive; at the same time, the warrior-girl was saved by one brave adventurer. At the end, the creature was defeated through cunning tricks by the adventurers, who also promoted the final peace between Kalihaan and the cultists of Shalimar. Then, they freed the Shah from the medallion and finally he understood the love he felt for Mahvash. The mysterious guests at the end left Tarajan, but with rich gifts from the Shahs and the promise that they would be always welcome in the Shahdom.
Statue of Kalihaan Jahan Shah, in the Ziyar Gardens, Ajan Citadel, Astana.=== END OF PART I ===
Last edited by New Tarajan on Tue Jan 27, 2015 11:59 pm; edited 4 times in total